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Sofie’s Garden
Mixed Media : Ledger Paper, Acrylic, Chalk Pastel, India Ink
Dimensions: 11”x17”

Original: 1810 Ledger Paper

By: Joanne Brings Thunder - Wind River Shoshone

When I first started designing this exclusive collection, I decided that this demi-fine lined  floral named after my youngest daughter and muse, Sophia would differentiate this exclusive collection from my normal branded lines. That would mean working with very fine lines and curves, instead of the straight geometrics that I usually am drawn to when I create pieces. I'm always inspired by my ancestor’s designs – florals are something we Shoshones’ are known for and of course I had to add my signature color pallets to this line! Vintage Shoshone florals and geometrics are a consistent inspiration you'll see reflected in my work but with a contemporary twist. I think the collection encapsulates all of these elements and is part dreamy, part whimsical while still remaining delicately feminine just like my Sof. 

Ledger Art History
This genre, often called Ledger Art, represents a transitional form of Plains Indian artistry corresponding to the forced reduction of Plains tribes to government reservations, roughly between 1860 and 1900. Due to the destruction of the buffalo herds and other game animals of the Great Plains by Anglo-Americans during and after the Civil War, painting on buffalo hide gave way to works on paper, muslin, canvas, and occasionally commercially prepared cow or buffalo hides.

Changes in the content of pictographic art, the rapid adjustment of Plains artists to the relatively small size of a sheet of ledger paper, and the wealth of detail possible with new coloring materials, marks Plains ledger drawings as a new form of Native American art. As such, ledger painting portrays a transitional expression of art and material culture that links traditional (pre-reservation) Plains painting to the Plains and Pueblo Indian painting styles that emerged during the 1920s in Indian schools in Oklahoma and New Mexico.

Beginning in the early 1860s, Plains Indian men adapted their representational style of painting to paper in the form of accountants ledger books. Traditional paints and bone and stick brushes used to paint on hide gave way to new implements such as colored pencils, crayon, and occasionally water color paints. Plains artists acquired paper and new drawing materials in trade, or as booty after a military engagement, or from a raid. Initially, the content of ledger drawings continued the tradition of depicting of military exploits and important acts of personal heroism already established in representational painting on buffalo hides and animal skins. As the US government implemented the forced relocation of the Plains peoples to reservations, for all practical purposes completed by the end of the 1870s, Plains artists added scenes of ceremony and daily life from before the reservation to the repertoire of their artwork, reflecting the social and cultural changes brought by life on the reservation within the larger context of forced assimilation.

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